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Key FO 


FRAGTIGCAL HARMONY 


A COMPREHENSIVE SYSTEM OF MUSICAL THEORY 
ON A FRENCH BASIS 


BY 


HOMER A. NORRIS 


PART I. CONSONANCE PART II. DISSONANCE 


ParRT III. KEY TO HARMONY 


PHILADELPHIA 


THEODORE PRESSER 


Copyright, 1896, 
BY 
H. B. STEVENS COMPANY 
BosTON 


Copyright secured in England 
Copyright transferred, 1903, to 
THEO. PRESSER 


REY 


PRACTICAL HARMONY. 


PART I. 


CONSONANCE. 


INTERVALS. 
( Page 6.) 


SSS SS 
——— 
ee ere 
— as 
E — 


2 KEY TO PRACTICAL HARMONY. 


BASSES. 


( Page 20.) 


3 


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KEY TO PRACTICAL HARMONY. 


Perri fee 
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KEY TO PRACTICAL HARMONY. 


a a soe Tr an] foc teen m1 
| ARS | | oe | 
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mane had =o eee e | | ny ) 
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| AN iN LLP 
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| a i\\\ ee = ieee iTS Bin paeees muh 
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KEY TO PRACTICAL HARMONY. 


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= ini | int 


t | | | 1 
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Sea ve 
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6 KEY TO PRACTICAL HARMONY. 


=m 5 aN 
=——_= =~ 
z 1 a soll 
é eo 6. j te -ae 
p See SU cs : 


BASSES. 


( Page 27-28.) 


‘as eiecgia tig | 
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3. j iibecin 
(betsy 


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Gig gea ges gia gel 
2 See | 


KEV TO PRACTICAL HARMONY. 


[1 Tg =) | Tus om | es A CIP = | EE = 9 Jmacey le a mr, 


L le *| Alba < | ANN Q 
i NN N Lh wt | 
N ihre N NaN N Hees fell NN 
: KK N ieee ell | 1880 ell 
VL x id ANN Na = wee TTR NNN 
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: LEY HH flee 
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a eh erin THRO SQL ee TTR N 
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sl ee A he iE yhoo 
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an 1 
it pha: baie Tee ell wy St NN N y 
Fann THON ALL MN ielll Tee The SN 
a Geteies = me ll TOON | LL Le LE TT¥e8 au | | 
pee ee || Been onan ANY! ALL TWH LL NN 
TweTee all Ls LI RRR ell niga all 
Tecan [see eet lel TH 
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NWN VU iN Trees ell Scie tt Siciesem | 
| lad | Wet Whack @it ! = 668 ell | | 
—~s ™ EVE HA\WN TIN Tee ati wh N44 Te Pape yy 
slele | Bteslel ae i ® 
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BASSES. 


( Page 28.) 


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PRD IAN 


KEY.TO PRACTICAL HARMONY. 


iter int iat) Teslenietlil 
D4 4 
“eee en 
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(4 iti) 
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MELODIES. 


( Page 32-33.) 


OBIE TRON SNE NCHMOCLE, Sele GNOME 


| fe) 


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inn) e 
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| 
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Heirs ibe 
Tee Ts 
a} feo 
ae! | | 44 
gary | Be | 
PRED |an 


KEY TO PRACTICAL HARMONY. 


SI aa 


aat | dh by BEN 
TT NW TTh fhe facies 
Ht i) Tiere LTT 
Tye wit TSR TT {|| Ny 
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mil e hes ell 
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sp ppt 


12 KEY TO PRACTICAL HARMONY. 


ath 


cl) eEille ood aia aaa 
Wages ize sel 
i ey 


MELODIES. 

( Pages 33-34.) 
7 es eae era) zie il ESE 
Tota ile lp aagig gt 


t t 


oa 
x #S: 


KEY TO PRACTICAL HARMONY. 


r "Gag itdisigss Za$: pmigig ee a1 
Pitta eee tied lal 


pee ole eieieien 
oa = 
4 


ese Se eee 


PASSING-NOTES. 


( Page 39.) 


oe cee a Sa 


KEY TO PRACTICAL HARMONY. 


14 


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THE FIRST INVERSION. 


( Page 41-42.) 


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KEY TO PRACTICAL HARMONY. 


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MELODIES. 


( Pages 43-44.) 


——— 
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t7 


KEY TO PRACTICAL HARMONY. 


a oe ORO OR 
| | Nan N TN TN AVN) TIN | Ss See 
l TTeeR @ | [|| A N Oe Ty) eRe eiel) 
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| lel Te LiL E res eel! 
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res PR eA ae Te raw | 
they oth TERS [OQ | Da ee Tih sill Sa a NG 
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ENN QL rel lbs [ttf Sri naan naan tee UII 
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we |s Ne Sail Hy Lestat: 
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| ich icp Tis i. ! " 
al PRP IG 
ee eee we ee eee 


3 
4. 
5 


( Pages 53-54.) 


KEY TO PRACTICAL HARMONY. 
THE SECOND INVERSION. 


18 


se ||| NN IWla =NA r omit il le TP eeeee ey 
ah | s | TR Alan TEN 1 ie an 
Hal —H|n me NUS oe @  — RWLL oben | TNO SENEE 
| +H | ean ail | Fer een 
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AN coat lia Lee Ee . Ls ee; LLL 
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iil Hol, er NSN 
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‘iz ! a - at TT mt shia 0 \oaea ve 
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—TON | Oh —T RN QiOit tel +168 haw) Hem ¥ Nit 
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' = + | y ty 
—WTWO OL Hun bse as —O| 1 WL 
LLL Ha re ol. m a ell " HH | ssi 
aye Ht Ti “sf aM me —y Ht —TR —e| ~ Ie QUIN 
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Bo ae ag gee Be 
Alc lale ale| | iP lolol | 
fan Gy) = Ng | a 
SS SS — = AD idl 
= al co T_T 


KEY TO PRACTICAL HARMONY. 


| eS | 1 LTT | 
yin NN 
Litt Litt 
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be 
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6 
is 


KEY TO PRACTICAL HARMONY. 


20 


| 2 rial | 


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21 


KEY 70 PRACTICAL HARMONY. 


yy | 
NN 
WD VIO 
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Andante. 


Hs a 
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MODULATION. 


FIRST ORDER. 


( Pages 72-74.) 


NVA 
OW le. eit 
rk el 
ail Nil 
CA 
ah: eS 
pt 
NO; @ 
a Wd 
‘ al ell 
eA 
i) veal 
a 
6e\) e 
S .-\) ne 
Stet | fell 
ee a el 
Sieh jt 
XN | a 


we 
- 48 e aN 
Hable. ST | 
at 
rN 
Lib 


ees 


a 
| 
oo 


re 


+e 


@ 

dl 

| 

= 

@ 
oe 


' 


5 


2 
z 


= 


@ 
@ 
= 


ten 


= 


Z 

iv 
renee 

= 

Hib 
eZ 
4 
2 


i 
= 


l 


OF 
a 


E 


| 


= dai 


: 


Crete 


A 
: 
=== 
be 
& 


4 
Z 


be 


= 


| 
M eee 
- {2 
alew 
o- 


[ 


-e 
me 


| 


fies 


pa 


De 
—_" 


E 


aa 
P 


-O- 


acer 


= 


eee 


A 


| 


Brg 


2e 


ae 


oo 
Fez 
2 


eo 
| 
if 


EAS 
° ate 


Soe 
r 


aN 


it 


(ar 


wz ° 


KEY TO PRACTICAL HARMONY. 


4 
nA fe 
-4-* a a 


A 
i 
Adagio. 


+ 


=e 


=! 
ie“ 


sul 


Se 


ee 
+ 


| 


e) 


| 


22 


| TTT | fest cer 
ie Us i 
sal mralalete LI Ly 
ee TT is ‘ 
ve WS AL 
War alfy) lal 
Nia gi] Ny] a ) 
ny mi) AT 
‘ | ‘ esis 
Ais] Al] iat 
rR {TTT at 
“TW OLE 
el 
Wh ale WH 
sipeeert i) oF 
ee | in OL 
fark all) | “AVR ll 
ry SAH TT S84 
ele ele] 
| an 


=fe— 


- 


= 


1p 


ie a 


J 


a eo 


ee 


miei 
ae 


Cantabile. 


_ 822 


te 


23 


KEY TO PRACTICAL HARMONY. 


SECOND ORDER. 


a 
F 
; 


Allegretto. 


a 


== 
Z 
i=] 


| 
o~ ree 


| 


an = 
o 
Post 


2 
SIE 


Fs 


, 
ana 


San ee ee 
ee 


Z 
= 
——_ 
“ 


24 KEY TO PRACTICAL HARMONY. 


REMOTE MODULATIONS. 
Andan 


po cclg? lala ee 
“ ae ae ae i 


te 


SSS Pe : 
DHS | tee = = Sie ee 


=I —— 
see ee Ae: —— ae ae 


”- a 
BEEPS 


ef 2 Soe ae 


ge = eZ 522 EAN Stee z ees 


“Eo Ze 


=~ Pee ee ee 


ES SS 


ie 
C- 


6 
ee PAE piety 


TONAL SEQUENCE. 


( Pages 76-77.) 
a | 
ae == 
2218 2 —-= 
eo ~2 ca a aS 
“o- a 


ae 
Ze See A ee eq 


me 
SS ‘NS 
v a 
ue 
nual 


KEY TO PRACTICAL HARMONY. 


| | ane iat 1 [| Nid WA 
OTN iN) QV O \\ L 
8 Hit} IL He eS | Set anh Mee ee ral ae 
| Te. Sahel bp THRO TIN NN N —e willie “W/o! ~Od 
\ Ny) 1 
Tre” Ey PRN St eee ae NL stl 
20 ey ENN | TT Nit QOd NY Mw  Pdtt nt 
(L Teer ell Latatalet ila bit aa WL Wi 
THe) TTR i I em) aa ees eal 
TTON oak: nye if ser ay 4 eo : Naan AN 
NN — we ail mt JEL ell 
ee) alll THWTY TTR NNO NH elim Vie ease bagees 
TION NLL Nl aaa — Q WH 
Tron bh {la cine Ti hh ees eal NIL ght 
| ae me aL Sa) RY Q AA | 
reag  SINBeg elle wil A ner Te | WAL big hia aaa ato | ail 
W Vi Tee ell 8 \\\ aN eiiel  O)/ ei Vidi OWT 
ee “TTR NG | 
We 0 QL RR 4 CY. oo el Ni =O 
| TT. elt OLE 
~ TOY Vit aah te 
NBN} QL TTSe eit Vit 
neal +p we Tre 
HHS rh Treeh_|7T. alt 
Se 
Fie, 1s a watt Vil 
ele ele 4c 
toa len] an ss 


26 KEY TO PRACTICAL HARMONY. ‘ 


Sa 


= thel terse | | 


in | 
NS ee ee ee a 


ee -2- De = Ho - 
Decal pal alee he Ee lll 


KEY, TO PRACTICAL HARMONY. 


i 
Le25g- 22. ‘ 
te 


4 
S12 


a= Un Bene 
De—Se 2 
i = 
es 


5 


| 
= 


bg. 


test ipretosy 


Z 


= 
— 


ates 


By 


28 EY TO PRACTICAL HARMONY. 


— Sete ze 
Eee ae 
ry Ga 


-3- ae ZEA S 
(patti eee 


09 
ee! 
| WD Nd 
Het 
TIOTO TIRR 
a8 \\\ee ee 
rh 7) Siaianaal 
" WI 
ANN) QL LIN 
| | 
TIUT® = ALL 
TT WN \e\ Ge 
Wt 
VL 
\ NAN 
folalaiel 
\ YY 


PART II. 


DISSONANCE. 


THE DOMINANT SEVENTH CHORD. 


( Pages I 1-12.) 


o- a aot 4|—-4-+--— 
Ge faa Zee age ls Fe| 
a 


KEY TO PRACTICAL HARMONY. 29 


aaials eS = 
ignceee VED ee P| bene] 


b b Pa__o a 
ey ele | an aoe = 


~ WO 


S22 oso sees Deere 
(itn 
pap chem ele [2 | 2 Fey 


— = age ace 


30 KEY TO PRACTICAL HARMOWY. 
cio see Ziel 
peep eee ee 


pis Almost never employed.) 


aie 


peal S262 eS Sesb Sec 


BASSES. 


( Pages 13-14.) 


Bee JED 


te, : a 
Sas eee te zee ae Pe pire 2? se 


| 
GPa +e 9-9- 
ee ue fi 
ee ee 


me ses dead Eel 
Bae Be ese Zit 
sigh ee 


ogee | 


ab rea 
si nag2ig ieg ined 
| | fa 
DE PELE ERTS eee et je = 


31 


KEY TO PRACTICAL HARMONY. 


3 


AEP 
o— — 
A) 

2 


Zz cae 
—- 
=e: 


= 
7 


Cae 
i bee 
| 
a 
= 


| 


ae 


| 
ig 


(A 


4 
Z| 


Biya ell 

ee me 

@—~» 
_ ZZ ’ 


= 
7 
a 
~ 


= 


ais 
A, 

oO 
a 
te 


B 
» 


Andante. 


nae ant 
| \9e al 
THO] WL 
Lijit) Ly 0 
al]| fall 
TrRN VI ell 
ro eae 
ein @im@ly 
a | | 
@— ale 
ran meer 0 
a 
| RA AT 
| MN | 
“te iI 
im. . . 
mats. em 
“A ete | 
Trew e@leil 
I; 7 Re mT 
rT ot lel 
AIA sell elt 
if we ein 
1 7) ee a1 
meme Belt 
| Te 


KEY TO PRACTICAL HARMONY. 


32 


BASS. 


(Page 16.) 


“~P-« 


-2_¢ 


C2. 
= 


-—- . 


= 
22s 


—te1 


——— 


os, 


TENT LODE RACHIGALE Ari ONY. 


| 
TI ‘ U 
a ; At 
WS; Wit 
1 AER 
Ni Avie 
NN 
~ TAY \) 
(elelnin| cH 
TWN NG 
ma\\\ | a 
NN QL 
fit | Ltt 
\\ia Welk 
ie 
wu 
~ WH N) 
“RL | < 
HAH 
~ OW QL | 
Qi | 
Qi 
r~ 
Mean 
LNA) TN 


all 
Ml 
HH 
i a 
TOL) Let 
Ne 
i 
PN | 
A H 
Ue SR 
TWN WoL 
AY 
abe QL 
TT RN at | 
QP le 
eee HH 
TNT aN 


wh wall] 
dy} Ho 
A LRH 
ON) AI 
Bs} 9 
aL th 
A 
Sy 918, 
| aul 
va 
ae 


nana 7 
TTY® jue 
los kit 
IR FIN 
ity AT 
[ate Yih 
ANA NEE 
bert LA 
TIVIY NG 
IN@! BLL 
Ah yee 
®| Xt 
ileal 

“rh || 
+4 r | E 
en) 
iy 
ae 3 
XK th 
aan 
a 
. . Hi 
VO NN) 
| | Ns 
| 4 
o> GA 
—_ = 


mapa [TTT] 
NN) QL 
THO = LL 
N X We 
FS ML 
NO OW 
marae ta 
W 
TIN] Gite 
TON QML 
TT RR al 
MW O® 
TR QL 
YO ON 
NY WOE 
Line fl 
® VII 
Ne ad 
® 4% 
Lo x im 
PN Gh | 
wee 


KEY TO PRACTICAL HARMONY. 


sl ae 
=: azarae 


34 


ee 
——— ee 


or 
=a 


pa wae = ~- ge eee nae a 
SS Sere 


ps ease =e “ 
(2 SS al 
es are 2 E = at aa = = | 


BASS, 
(Page 17.) 
a eae ioe ae eas! 
= ae ee 
7) fe P = a) 


ne oe ae eae ea o ee : 
oa 2 Se 


35 


KEY TO PRACTICAL HARMONY. 


| 
ee 


BASS. 


( Page 18.) 


2 3 
ie 


= 


oo 


sao 


2: 


KEY TO PRACTICAL HARMONY. 


36 


=, { rrenerEa| 
NY N 
Ht 
aah \ Ne 
a 
iN) Ny OQ 
TOT 
| 5S 
NTO dQ! | |: 
OE I 
(NS) 89] 
N\IN 
Pe 
TION WL 
17 Qi | 
TON = ALOE 
SRN NN 
itty 
vo Ww 
TIOEN +t 
_[itiss) BRE 
RS > We 
ah ke 
QQ 
Ay 
SR A NRG 
TOTR Vi 
Piles Sere 
ane * | 
See 


oe 
os 


@ a 
g' gos 
{ 


a 


| 


a 


BASS. 


( Page 18.) 
Z| 


= 


. 


== 
a 


37 


KEY TO PRACTICAL HARMONY. 


= 
Es 
= 


Z 
a 
F 


255 
= 
a—+S 
7] 


= 
72 

Ss 

= 


a 


SAS ee: 
eZ 

ae L 
io- 

| 


[A] 


=== 
g ez 
g—2e—@ 

ii 


fe 


KEY RO PRACTICAL HARMON: 


38 


win a@lein 
Qala! eel 
P aang | cag 
TR eal nr 
Hea eaiell 
“re Ql ay 
P| oS 
“TR el elim 
y ri Oa 
T Rom Q@/le@ln 
TT Re RUA 
41. ean 
WY 
| ° { 
| jee a) | 
A Ao 
ADD > 


Ne) MIR 
dong mr 
ay \ akin 
ie ace 
VQ Welt 
Ne 
TOT W Ly 
Ts St 
me) ae! | 
Vid WW 
Ao Same 
TTeTe ea 
i= Seale elee 
ints es ie 
TWO OH et 
Lit peers 
| iY ANGIE 
ik oo Vou. oe 
TIM) @_ x Nal | 
L lJ | 
N— felt 
ry aa 
| We _ a 
CY in 
PN ITN 
See 
a) 


mam aaa 
rat jell 
TT eX eit 
TITS || | je. 
+e Q) et 
AY 
see | LL 
Tee TTe 
TNR ae 
Hits o ut 
TT XS 5 QL 
Tee - ell 
— ee! elt 
ral 
of 
“TR TTR 
158 TT® 
—y wel) TTR} 
(114 
.— ;@, 1 
rte tia 
aie ell 
| dee wil 
cot Sel 
TwR eLL 
Tee el) 
ree Si 
abet ethan 
lee 
Th 
wee ee 
tt 


MELODY. 


( Page 21.) 


oh aan a a 
TN SOL 
THM} BML 

+! | ia) jel ial 

WN VIO 
TUT ML 

NTT] ETRY 
ma) | Nt 

| | | | 
TNO) ON] 

Qn th 

TR 

Ts) Nd 
“PRN  Q LQLL! 

snag een oe an 

THe, 

THOR VILL 

THR OLN 

TOM ALLL 

AB rior 

\\ SN 

TOSS $B 
eee | 

Ts) NH 
Tk V8 

TH) AN! 

GNIGN GNGN 
ee Ne 
PRED GN 

See 


KEY TO PRACTICAL HARMONY. 39 


oe 
Zte ere be = ale meet oa belie =e Sere 


a ml 


i 
e AL a glans ltebvabe 208) apd 


5 ge pg- Da De — 
pas siceet FF =: seaetaceaa 


parle en 2g aes 


KEY TO PRACTICAL HARMONY. 


40 


| 
| 


= = mar anna | rn 
TNT SLL Sar | Shee ats 
Tere welt em Te AN Jere ell 
— Sele 1 | | | 
TST 8 ea! —TeTe BS Q Hh Le eel elie 
= 2 ws O& sete = LL 
THO SYENGEE NHiN Bi 5 ro We oe 
Ltt re Lj yy = PIL me Bae =a | | it]! TTS ach | 
Ts Saye = Ally ane ably aaa SEs sey 
TPA epi = Trew a WiNX is TFOO GL] || 
ity a z Thy fe Each Sp eanig eee en) eet 
[tls jaca ~ ree RTS ey SHI 
Tha Aven = 19/0] aN THOT ely | 
= NN QO) ‘ally Pe TOTS RQ | | 
= o> a i= at | Hi 7 Talia | L | | 
TION Ath See se eel ® | Hk ashe 
roe eH Ow NX Tye lee a, | | 
=| | Te o.oo o 9% bp —eut —e| | tA At 
TTeR eal e aye {TS el TR Q| /O) | HW he R | | | 
otto ed | 
wre x + - TTR QLL = eS SIN AGE 
“Thala ae i ts The WN). Oe) Bara 
“err eel ma ei OL Ny NE NS SE alia dif 
sist Be see le a 
S2bn ett 5 a Je. ee ood lea lait fl LL 
—wyTee TT} | | “TH |® NaN ictaal© | Sulepiaia 
Ha + TT QQ ich aaa HR S41) 
| ne nee ! aa hes ee 
1&b | | 1 | eolh aoa 
wo IN| [NR HIN) 
wee HE lace a a 
e PRED” IGN) | TR 
ee tl FL =~ 


4I 


KEY TO PRACTICAL HARMONY. 


acl 


al 
aa 


| 


= 


| 3 : ec. "] = 
= See = 
+ 


| 


a Tea) 


| 
| 


ae 
oo 


|e 2 


zee 


Z 


N | 
oe 
++ 


2 


te 


e 


—_ 
_ == 


-9- ° -—o- 


1 tes 
23 


ab alent a=| 
see 


2 a 


i 
= 


Al 
ef 


=) 
6 
Q 


nh 


(6 


eo 
=e 
oe 


= 


te 


s = 
= ao 
v 


N 
@ 


| | 
go ¢ -o- 


| 


-o 


(A2 = 
Sate i 


c 


a 
— 
Y 


ao 
~ 
2 


= a 
a rs eee 


ae 
| gt -& 
aes oe eg 


= 
i= 
C2 


aC 


= 


=| 3} 
oOalTe 
4 
z “ae 


(Z) 
C2 
7, 
| 


= 


mm 


Lae 


KEV TO PRACTICAL HARMONY. 


DOMINANT NINTH WITHOUT ROOT. 


xa 


"3 


(ie 


42 


Ty arte fin oped _ & PRN 
IN | VI NS eee at Te SRN 
N Th HH 4 nan TNS =Te! tL Be. = NOL 
eal i Ts) tS Te Wal eS 
NNN mak, NIK yw elie Ui For ~ T8.NQ_ 
nuh at ane | “3 Wat TINS MEA [Teo 
BN) \\\ eS | kes] 
eae : He A a Gilt ite al lan 
rays Sli] ff | Le” 
TOON WL Jox_ TT sre WIL | 
ve es ree a ee mae WT N 
Tr] | Be Ti “Oj eT RS | 
[ea PIN aang vCldiguamat ts, meet, EI TWiQ 
=i Li | Te Sah 8 ae HH 
Tan b NY Jt fy H® a joy TN) viet! 
LE Lo NG AN yeh SN ee ; IL —W IQ 
FER (RH ef) Gas TS 
es — ell i | ama i | 
~ TORR QL LL ASS HS ’ al iy Wi Oi % 
Non, FTN) MAO ON re A Yo ww | NN 
Teltel ay Frrke iT os Heste 
SIN WN | [| | ae amt 
rite lnfanieePeNey eau Te aH TT ge | La 
v ING a 
| iil ke ie ests | 
oo ue 
= : QL ele 1 Ian; 1 | 
an at 
x P) 


= 
BS Leas 


(2. 
e 


a 


et 


43 


KEY TO PRACTICAL HARMONY. 


Hy} | =a 
Aele! = WII 
wl! f easy 
“hi 
n\n \Q 
NTT] 
— wl | “We 
oe 
AN Ny / 
TAN WL 
TITS Aas 
Tree} WLLL 
a8 \\ GeO 
| st, ' “we 
+ | 
eit 
Ng, OLN 
Th Q WL 
WW QOL 
non Ae 
a) wt 
ipa Vu 
PN ITN 
SL = 
+ 


PSST ag hast 


(ozs iy Lae 


Ni WL es Ie 
ar . .) | 1 | [el | 
Th Nae AS) Be eer ies aad 
—h i (ell ea ese al a\\ \\ 
yl No) |e Os zy 
eA Tg) a) SI 
JIE 1 1 = 
(ys «ss nh ANH WW AN) 
OH WT! geaa TWN ~ BIO 
HY ail Sua py nee 
HN) Ny XY wut) Ny V 
TON —WlO Bein tn ha | 
WLI Saban Th Ni ‘A sah y mae 
® Oil a) TTR 
‘ BS] WH 
VX Wii Leyiy fet +H N Q 
Nona | Hint QL HH EEL ® 
i NB a TIS - 
WL i 
Q OL Ld Tene aan 
\! a bts 9) INQ Ny er 
TIN Nga | a = ie 
yo Oh 
JTRS Gy AEE [| ee aol NAN aL 
ity] i yl ALi oh) |] | 
ee TR OL ean 
TRAN QL LO bes Ah QIN | Yh | 
| | NN ME NIBE sell eee 
Ne OW! =v} alg 
a | | a acon 
HH | | la 3 9 AM BH 
ae! «|e 
PNP lon PRE gn) 


MAJOR AND MINOR NINTH CHORDS. 


( Page 35.) 


+ 
Ni NY) 
Hilad eel 
Lit ¥ Le) 
Es 
TON DIO 
1 | 
[Tee ole 
|; ee eal! 
we fell 
ee) Vell 
Tesi 
Q 
Q 
sis 8 
mw Y |d 
A rat 
ray | 
ik 
Fen wall 
ry oH 
AY Neal 
aa \\ Yall 
Te Nae 
OQ \} IN 
cb | 
ee 


s 


44. KEY TO PRACTICAL HARMONY. 


“agi Hee ial ie as = 


‘ 
vb 

« 

\8 =: 
Wh 

Ne 

a 


MINOR NINTH WITHOUT ROOT. 
( Page 37.) 


giz Bee veers eco aa = 


Bo} 


a 


TION 
BIN) 

TW 
if ' 


‘eo iA 
Pee ee ee De 
eriecets eas 
He ee 7 cal 7 = c te =e Sea {i 


KEY TO PRACTICAL HARMONY. 45 


_ ¢6@¢efe cle em 2 Fs 
bua ee 


(pean a pe fel 
(Gessea Go eeered a: gee 
po o | 


jes 9-2 g- gates Sew la 
erecta 


4. 


KEV TO PRACTICAL HARMONY. 


46 


J 
i] 


aa )\ wie ah ees els TT INL. QtaL 
Te ok ONED SH ia Tel l¢ ee ak we wall 
Ae baal AK Rel @ il Ree” | fet TNO [OL tél TTT 
Ey Yoo [|9 ao LS s ASA ES DO Ve 
[ion Heals PRT you fTR ee ves Hea 
} ' J } am, we sles *| a a 
Te NTT fe) Fa eee? AU GL 
i) ESE ef e . . 1 i \ \ i ' 
MS Bo [Nee ee Fume CE oe SUR Sees Eee ee 
NO OL Friiteieee ail TIN TRS GER EP ll | 
Non o.1 Nea) RO ps) 
ih dtl He 7 Het TREN (Oly “ee ein | | || A || all ill 
Hel NOD | TT@| | | Tete PTS INT NA 
Tee SH Wh OT) Be), a) te) tha 
: | mi els “| 8 Lt | | ' | 
gwen 2 Nee TEU EE) RS Oe free re Ab 
S| eg : ea ti | i | ia 
Bod AN! | rede nea (etc st ee HR iy h aie 
ESE 0 SS So ec Ca 
YX ML SENN | |+|+- . pis | wre an nae —h1 {|| 
NINN v _1® Miri TIS8e Sik BGny j | | aR igo ee I 
a Bias ruil iis: Nee Hate [fr tee wi Shale Beatie Lt _ — Ly 
| TR | u uae ea VT » WEL 
wn LL! ein Tse 778 reer |, ice homeee GG p ammeea  e ptg 
ran Hey TT NO QL len on rme® | let LS eae YL 
Nw alll) frig. PR ime Il tree” YH inn! 
van el LLL ty = om: + Litt Lt} ] rity 
Te TRL i oc Vcc P| AO Oe 
Tar AK ows ich elele e | | { | 
tse (Sl) eS ety Ja ee Tis} Le 
Sete ENN QL a an || | ae |. 
bey slay] = ja Es HS ce S| |e ERE 
| ils | | wa T Len | Jit T les! | [jis 
: PND lah PRR GN] «= PRED A 


KEY TO PRACTICAL HARMONY. 


al 


Se aly 


iA 


ea bo 
bo 


et 


= = fe 
ae ; 


= 
ao 
Zz 


(eS 


Baie 
o- 
<> 


Peal 


C2= 
= 
(er 


o- 
i 
Tl 


| 
Deo. 


f= 
Za 
(Z 
=a 


aes 


— 


: 


a 


7] 
eo 


ical 


| 


“Ary 
————— 


£ 


= 


-2- be 


gine 


medae 


ales 


—- 


22 
= £ 
= 


2 


DPR Po je: 
a 
i 


Zan 


>— 


be 


re 


bio 
Rae 
i 


Laat 
== 
2 
‘as 


eo 

2 
ee 
PES HS 


a 
pee 


F 


a 


B 
ma 
+— 
Jpn 


ee eee 
E| 


-o- 


f 


=e 


bole 


=5 


| 


= ' 
SIZES 
77 


= 


= 


Z] 


= 


2 


aa 
Za 


ee 


7] 


Q 
| | 
yh 


i 


ee 


— 


= 


a 
ZS 


-G- 


Sioa! 


4 
| 
ie 


a 


48 KEY TO PRACTICAL HARMONY. 


MELODY. 


ee Se rere aeee ‘ 
heseace —7 


= = 
pte ewiegaa sigs 


zg Zz eee Sela chit 2 
sae eee 


aigyaal 282 ei aia 


-8- a ea a2: 2. 


ae 422 — = 
sta el trae tlede reel 


a ower 2 a 
digg eageceadiceee| 


KEY TO PRACTICAL HARMONY. 49 


SEVENTHS OF THE FOURTH ORDER. 
SEQUENCES. 


( Pages 43-44.) 


z FS a 
= — a a) 7 
eteaie oie tet 


S22 asa rh airs 
mn pee a is Sie ee 

| A a 
a ee gg 
Pees esis Were | II 


Other dispositions of the voices in the preceding sequences 
should be marked out by the student. Irregular resolutions of dis- 


sonances are permissable in sequence. 


Aner aide 
HaSEE RPE ESPETRISS IG 


PI | 
a 2 St a me 
(22 aes zee 


f i 
2d) Meg gigeee | 
ea Jee 
a eed ee 


50 KEY TO PRACTICAL HARMONY. 


a eR aa AA ts 
ngage ge sie Se 


| bel las 
Brae ade ae) Se: Bete 


= 
zl BOVE Swe 
om = oa 2 | 
oa. wii | ial Vo My A 
2S soa 2 B Pe eed 
Sp eae ZZ = ate 
a 
5-36 — = Santee 
eal 
2 


MELODY. 


( Page 45.) 


KEV, TO PRACTICAL HARMONY. 51 


ORNS) aie ae z hy 

sree Be fees Soe ery erre 

bi | 
ded 


oT ci 
t+apie 


aga ae at erate 
errs Ra maine 


BASS. 
(Pages 46.) 
Al = a a 
bp vig Ze Bate gel 22\ eee 


ae ee a Sees 
| 


Pe 


ee ae ee 


gpacd ieee 


Bo 


52 KEY TO PRACTICAL HARMONY. 


dea alcds ads elealeee 


| | BS ET Tae 


shee 


2, = nies Ze ae Zee 


oe aa dad adie ee aa oP) 
o 2a 2 a = Bee bao bo 
=\"EaSteeb ea = 


te 


big 


Dij2f be 


BASS. 


( Page 47.) 


; Keto tale = Beiec =a sees 


ce 


3 i oe ; 
fection ia aee geaacee 


—_ cae ae aes Eerie 


ot | ae 


ae 
ogee ope 
| es o- 
oe ee eee 
| 


53 


KEY TO PRACTICAL HARMONY. 


oa 
(ZS 


Alieg 


ie 


Se 


ts) 


eer 
aes 


a 
oa 


ao 


Oo 


a 


| 


5 
= 
oe 


‘ 


| 
ce 


a 
| 


) 
| 


a 
eo 


F 


28 


islaigiat TN) 
S 
ENE ame 
TT aii 
Wee, all 
: jel 
NA- Wid 
Hie {iT 
Nie IN 
THO Ot 
TTS * 
ST NN ee Kae 
a Lo 
TNN Qi LW. = 
HL Li 
“Th NGS 
TTR 4 Qi] 
ECON Senua 
lm NGA 
WIT OLLI 
Hoo ase) 
THO = QL LIN 
Hy \\ IIIA 
he 
p CN 
————~S— 


Ov W 
WEleIapt Least 
a 
Wen it 
e VY 
AGY — 
= * 
Vie rN 
| | 
TA WW Qi_ 
Nae 
oo a 
| ae a 
Ras 
QO NI 
Litt Ee! 
\rhss —e 
=e Ns 
Te VIN LL 
[ea eatial aa) 
ih Ay 
NK WL 
he n| 
TINY Oe 
H+ 
TM WU 
Te gl 
area aca i 
eT \\Go 
Mw 
SC 


ALTERED CHORDS. 


BASS. 


( Page 53.) 


pane Eh 
~ hl 
TR $I NI 
Iain 
TM I 
TN) NAH 
a | 
ea QL 
es 
A lint! 
wei OL LLint 
(eisai co 
a 
WB! YN I! 
lt 
s/o 


se a 


= 


LZ) 


eo 


ee 


54 KEY TO PRACTICAL HARMONY. 


ea 


we te tne te be 2 be ote = bs bb) 


i ee 
be ell eee ae 


oho. es bg e- | 


5: fh aes ep aes a 


z 


pS Se eS: 


2 . Die py ae 
SF be ee ee he 


Sessa 


TABLE. 
CHORDS ON A TONIC. 


( Page 54.) 

Si 

C2 =e en 
C2. a oO f 


-2- -2- 
a 


a = =e =D = = 
See 


NN 

(iienalel 
3 
NV 


Nig 


KEY 70 PRACTICAL HARMONY. 55 


TONIC SEVENTH. 


( Page 55.) 


2 4 


: SES ONAN vee 
siglzlel els! steel all 


Oa se 
6. SF 2B 


gers ee ee 


DOMINANT SEVENTH. 
a 3. 


ee eee 


-O- 


See Ee 


DOMINANT SEVENTH WITHOUT ROOT. 


a 3. 

—3—- po 

aaa ee! 

bs le 22 

MINOR NINTH. 

a a 3. | ee sae we 
Oe 2 == | 
See 2a ae eae 


MINOR NINTH WITHOUT ROOT. 


2 Se hand ? 4 
ee ee ee ee 
a eee 


Page 65. 


Glider olsie Lalget 


56 KEY TO PRACTICAL HARMONY. 
2-7. ts.-. 


4. 
sa Zee ese aus 


sd na ase | 
eS eee i == 


_— 2 on 

paces oa eiza ise lar e —_ 
paizcwiggeas heels inal 
passe ion ger pegel aay 


fers Ze aig lone egl ees 


eae eee 
aoe _— CEES] 


| 


. — Sree 3 faa Ze 


; 


-6---—e— ao fae 


=e see Sane = e- 
Pegi cece eerie 


(Fa 
YS 
LTRS 
SS 

TAN 


KEY TO PRACTICAL HARMONY. 57 
sete a = =e ae Sees 
jure ete eee ZeE5 = 


2 as 2a 6 = Alas Ga GPP BO A ie = 
SS Se 


all | | ohe z 
epee weseeee C7 e4 


ep foeeue: ese Ze A beastie oF 


Bete = a oS eS ee 
pate—t ea = ae ack 


te 


ff 
lb: ee 


es ee Bien te, CONE 
See ee ee Se ee ee 
bg : EE aie ieces gre ol3e t | 


QV el 
S 
eu 
oT 
i 
| 
mal 
RH 
eo} 
UU 
ST 
Q 
| 
mama 
st 
at 
a 
| 
Litt) 


| | 
ee nee - 
eee ree “ee : ohh Ani eo as 


58 KEE Vi TO PIRACTHCALE HARMONY. 


i a aa Soot ers! 


eSS aoe BOR om iad 
a nae ne ia : = —eapea pet = 
! als 
———— ee a ae 
@ 2 a = , 2 2 ee a F wah eS 
5. 
-o-* ig se <a wee te 
by: ee eee =pese ieee 
pal eee ee es 
= te a f 
ei 
ee gail ae ee ee 
(eee ee ee 
pees 
(aaeee! ee bgp rteal 
[erie 
| be- x b- | Ie | 
. oeexe a+ tf a Ve co Das tote « 
2: a e 2 53 0Z Pe ben —— tbe le: fer 
meer a eames Peni = 
ews Sine 
[ : ew o be ee 
ie lize: ipl Foals Fe = Bei 
pedal 
hee US" Ho+__@= a= oe, 2A: 9. -e*te- 
ae a sto: = sb : re a om a5. 
pe seal PE 
LU - fe aie 
+e re eee 
| tZ — ‘fags eae ele: aa saa Zz 5 
S a tie zZ. 2s) Da 
ie ee Pg 98 to 
iat | ee Sa ee 


onan R/T 
= = ail ANS oh NT 
— TTT i All te Kil »® Tm ' Sean Hay RET 
a aoe ANE ie N nS He Fs Vii) te VN TINTS HT] 
Tey] ak ee oalal Wie WM | He oui | = WW OA 
Be tt eS a 
| top ere ee} Ss Er ett} NIN Q tT Q | Sane ete Q HS a 
ee a a cit ih 8 
ti NRPS a er N HHS Wie ra | dA WROnes aananes = eee 
Se ee AY) Tex) Gr Sn Us 
aes a de 
S ial lll ai RN) alll Wa NP hy Hh 
x Wi “QI (9 fo} wit AiR 8 Sloqeaf—lagge Q 4h Ne 
Seer H+ tL aaeg) = Goh sel | NTN rie ON 
Bee antl Sie le “eT we - jf . Hii Hes si 1] 
Batol] HAL gil paces [asl gm fad Gil[K TR" ged 
SIT -4| co. TT] se Aa BH OSA SN aL a ALl 
coe eer he A Sheers aReit | | gi USS Sie 
x BT wy SUN hes ‘ et aL \_ NEN 
. ! rail ay TT] teal ¢ NLU ies ML J ; een ES 
a al i a A S| Nr aie (Ag ‘Ar TBs Su 
© lie vel) IR Vil WIN S]]| AN cae HE Ae 
. fee a eH Allli| at) WT (al 
: | RR NN fr 2 § mils . vil ii Ny | Sli | Nil 
nan a At % th ee Hy BN “Hy Y fy RF 
| | si. =i(. Wie | Les ae 
Ry CONN ean Aa \- SA ie i 
| : 


KEY TO PRACTICAL HARMONY. 


60 


3 


Zee 
aay 


re 


zal 
Ze 


ane 


sa 


ae 


4 Bae 


‘ 


oa 


Ze 


a 
= 
a 


i 


222 


E 


(es 
Lae 
aes 
g 
a 


| 
sen 
ee 
a 
ee 


Biel te 


jell > 
Fa) 3 
ah ma 
S| | 
TTR Q 
Lit Bae ELS 
a t 
THN Qi 
Tes SiH 
TINTS NNGBI 
NAL 
W/O Nit 
ics 


HAs ik 
1 | 
india 
QQ vill 
a NENG 
Tey 
SC SAFE 
Tal —WIle 
win TT 
= BS = 
ait ii 
THA NY \ 
Ht Sane 
~TO Qi _ 
Ww ee 
® Win 
pees aay 
TT NONGH 
ms | 
ay Qu 
TTR au 
TT NGO 
fats | 
Th 
TINNY 
Be 
PRoD TA 


SUSPENSIONS. 
( Page 85.) 


Nie! dell 
Sly09) 

—e! | Qi “Vv | 
OL Al WU 
WH OTT 

mn Q w | 
Ny Th) | 
TTR a hy || 
TT} MT 
nm N 5 NN 
1 v 
TIWO! WI 
He ae 
Ni] Su 
racy “RT 
“Wl || 8 
TRA C N 
| —y | 
a = NY 
“TH ANE 
4 | iQ a ‘a 
= loa | 
a 
ra 


KEY TO PRACTICAL HARMONY. 61 


“hs eae ip 
ae 


Wee 
e_ 
) 
a 
a 
ei 


a 


2 
= 


Bevmal 
il 
| 
Nie 
a 


iN) 


i 
li 
i 
| | 


aS SS SS 


ee se eee 
SSS —T 


So pte ar sla Zz 
| Se ee eae 


Dae fe fae a <a 
SS El 


( Page 87.) 


KEY TO PRACTICAL HARMONY. 


62 


| 
I 
l 
| 
ll 
| 


= lee | = | | Sls alll t 
a iy] eu 88 ihe re neil 
ei a a 
(in | gid ray 1 ANE Pay gaas 
778 Na | | nee rt Q 
DN W yo 0 We ae i 
Cr Que SAL TN URL OW VX 
ie =) vis | ie dal rh ry 
i Ts “Alus Tels) BOLL ee | 
THe ay ill = iki tle TRY “UN 

DX aw Ct SO us VEL 4 

Id = i) | C N es wait YY W 
Cy & mn 7 at SHIRA ae HTT 

oe a) 

ny Vid TY arn TAN wig 
LL) NN re a ‘| as (7 Hy 
Y| X_ N D 

ih UI LL, i N i" ah 

WT i ae 1/0 "lea 4% 

omy 
——— 
= al 


=) 
@ 


Seer Se 


==s 


2A 
A] 


eZ ies 


1 


: 


a 


Gert MER ike al 
NL AHA gill) eee {— ie 
> =. = —shy Wie | TS Ti i 
Ro | iN “y ; NO OI) [8 —~h 
eR) Tes Paine T 
i ht a NH ra Gil ie ait 1, = 
at NL hy al : Nan TAN a 
: ! t Hy) ay BN a 
N i | jase =H | h ie TIM “VAL may Nea 
Ss mk nt ve Shot il a a Mer Thi Va 
5 Re: Eade 2) r ee ‘ g Ht ve 
S NAY WS My ONL | . Y { 1 Vi NN Hit 
Serial Ml ARE aH el 
lho ae Sa WA) . ani L =a) Aen TI 
23m | ii all TYR TU my V8 Tk ral 
. ae | | | al a bi VIN LL N al WNL 
5 Nt —l|| =o N HS ating se at 
5 ee || || Weg = Oi Mt 
» | 8 WT THN) LIN Wit! = =N | 
gy TT | SANE Nis i a ia ay 
s | y— eh OL %) || anes “ss tS 
ie WN | \) sah , \ AN 


2 
252 


Ed 
mere 


64 KEY TO PRACTICAL HARMOMWY. 


| alba ees ait a. LeEN. ae 


tee ie P 
eal 


2-6 a e-— 
as eee areas ee = 


a She 2 2 jeSze gis — 


2 ae ee ee 

ae tee 
aes Papa 
a JF #e pees 


KEY TO PRACTICAL HARMONY. 65 


66 KEY TO PRACTICAL HARMONY. 


== Lei a paral UE BAT MEE 
pose ES 
2 
a ee da _ or 
See ee 


reanars 


THE ANTICIPATION. 


(Page 99.) 


Andante. 
SS ae ee 
= og gga Z age = le eo 
| 
Es i) -6- ~8- -9- -6- 
= f rp —— 2 a 2 = af 
oe eS 
r ig r 
we alias Be il 4 + Siaent | S 
a ea Cd rey 7 SS = Pe 
Gre $ = ce sae: S tpaly "2 pines “| 
Patt a | ! Ce 


WH 
ITT T@ 
| 


67 


KEY TO PRACTICAL HARMONY. 


| 


Hina Olli ® 
eh | 
fh JI 
Sei — ) 
Pout | 
‘re 

TR RN 
Se 
Ble Wale 
TTel\ elie: — 
TT? 1 | 

| 

thdeNeeeeeed 
mnt) el 
Tyee “OI 
ae 

|» 

Tra alot 
Tee s 

| a elt 
| + . | 
i a 
A lan 


THE APPOGGIATURA. 


IS STSteal 


( Page 102.) 


festteasd onl wf 


a 


cece 


rd 
Noo 


Baas 


s 
"3 


THE EMBROIDERY. 
(Page 104.) 


ao 


Ee a 


: 


ee 


ze NS Sa 


6 645 Ot © 


8 


6 
8 


i imac 


—— 
o 


| 
woo 3 


= 


KEY TO PRACTICAL HARMONY. 
— 
fe 


4 


——) 
itt 


af 
@ 


TRE, es 


68 


sis? 


oan i te ell 
eel! | | fe 
Ws iil Ee 
| ny | Te me. 
LA a || 
ITI x ik Le | 
Zi al 1 Ste 
TT? i ie NN Bale 
é it | | ® ae | 
Meal LiL a TT 
Tin tT. | | | 
: Hh, 
tre, bhe pein 
Ts SH fre | L+H, 
ak dell Ltrs 
Te | Wu WH l/s 
{ e en [| 
ws | aL 
* wil is HH 
Loy nu E el. 
al a 
al i el 
Ata 7 ‘@ Ht 
a | Rr | ane 
Jue Nag IB *| | | 
LS nh Ww i ong ne 
<n |) owt) RTS 
re nh ara ie 
I \i4 —. | | ma 
L ! ik | Sl iy 
1 ER erie ee 
“LM: PN ITN PRP 


ae Tea 
San ~ 


“] 
e 


—_ 


= i, 
— | 
se no 


= 


as 


( Page 107.) 
—— 
3} 
, 8 
See 
v 


a 


1—@ 


ion 


eae 


a a ee ee a 


Andante. 


TO PRACTICAL HARMONY. 


Vi GINS 


om mo 
Ts i 
bree! ew ain 
akan | \e rill 
=| eel ay | 1 | 
elie ] Pei | 
It yial ly 
|| SH 
ell ma 
MRI] Te Nii | 
See I Oe es] 
~ | | S | | | 
eS Ut titi 
eae E 
ith \" wy 
ihe —. 
TR! | le rial! 
jw J ur 
*1] “tH 
\) will rn 
Me ay 
We | 
lines y| ein 
(i 
ay | | 


_ 


a 


KEY TO PRACTICAL HARMONY. 


70 


TT} YY als 
e 
ao oe ri 
at 
ee | —h7e! ie 
| LL pt a 
eel Tey 
el ela 
ow | Sh — 
IBGE) 


a 

@ 
e 

| 
By 

o 

F 

e 


o0te- 


see 
60% ete! 2 
== 
cose 
¢ 
= 
i 


at 
He) im 
e 
we | ee 
Supe ae | 
p ON 
= 


ter sere 
If! aN] 
lie, ie 
Udy a ae 
( eo 4 
| a Re 
ts “aT 
ieee a 
is hI 
| i 
| “| a) HI 
csel an 
ata 8] | 
ae) SARE 
| | || 
ue ai 
PRP CN 
— =e 


( Page 108.) 


Andantino. 


\ lel. els 
Siu Gia h eed 
a. | | 
Te] | ek —~ | | | 
| fe | 
Tre 6 ~~ Mt 
oe! Bernt 
ally Ai tty 
EN = | s 
NL. oe | 
ee. oe 
a 
il 3 
lea | ~e| | |! 
=n NEL 
ey 
Vit ( | 
yee eh] | el 
ja pel]! ei 
| el [ | fel 
TIN a 
a ae 
Te el LY | 
| 1 | i} | 
| Ww 
Tye 6 ad | 
TR | | | 
Ce ke | 
CASH lost 
ea A 
PRED lon 
wee ee 
N 


feleiata fa ana tain ; 
=e Bee te] STi 
TTS} ea |\ — TTC! e_ wet! 
TR] | | | |e N Te a tei 
2) Te pT | Tem 1 —eell J 
le | bee t | 
yj eeu ae [31 || —ol ||| | 
~yaell ~e “a =e — ee is 
it) LI Litt 
en '? | | je | ea! | 
\. et | gic! | \ | | BIT] 
a e | | | uy 
pe S| || en (See 
el | \o) litle ee 
96 a NN Sett 
el Te! @_ (ee 
@ gee ee 
elF | =e 1 | 
ela = eit in al by il 
TTT oecel tt | | eer tt 
/@in i ~ | | ~ 8] | @__ e a | 
ze | } | || | 144 H 
S A see Tani \ RO 
| et | | el lle: 
| =| | || ain 
! Mike Bi —-_ | | aBAg 
Rel \ae rit | | 
—w |) || hd | Pa hoe 
eet eat eee as. yap 
thet ; ies l 
well “eel | pote eL1! 
TA Sara BAG | ae | | 
Tee! | we ‘| —? | ry st 
} | 1 1 | i | 
re et. —el | | fe 
| | inal | +e | 1 | 
“TTe|| we ttiit i Je 
| | || 
in| @iit4 Behe } 
1 | rllet = — I 
} aN re | wil jer Wh 
| | Res: ie | | 3 
at] aa] | ag 
PND I Pee Gh | 
ee” wee SS 


We 
4 


KEY TO PRACTICAL HARMONY. 


eres. 


Es] 
we 


| 

e 

—Te 
| 


ee 


Pad 
e+» 
4 e--+' 
= #7 
0 


ee 
#f 


Pe 
- 


= 
2 


me C7eS. 
eae 
. 


| 


| 
= 
= 


Te 
Ee 


fe-, fe-=-0-. 

i 

ee ee 
geuD 
: [_ SAEs 


Al 


=e 


t 
4 


| 


eee 


: 
Z 
251, 
a 


= 
=4= 
a 
he 
2 


- 


ee 


zx“ 
Za 


=] 
cae 


zal 


Ei 
oats 


Z| 


at Fa=— 


za 


on 


we 
2 
2 
= 


ea 


j= 


a 


Z8 


| 


—°s 9 
Ze 
ae 


KEY TO PRACTICAL HARMONY. 


on eee a San 
qe re 


=e 
mes 
= 


Spa 


| 
oe: 


72 


= = 
,os 


: 


ou | 
a 
Bis 
=] 


.— 


{ 
ts 
Ze 


i 
on eaaen 


= 


oO 


D 


F 


ae ag 
bor: 1 
2- = 

Za 


aie 


= 


<4 


sae 
(ae 
Z 
ao 


plied 


=] 
oO 


Ue 
3 
Z 


reais 5 
E 


— 


tet =e 


= 
ae os 
gies 


| 
ao = 


-G- 


= 


EF 


a 
| 
o&- 


5:02 


Be 


obo texfss 
Far a 


a. 


= i] 
ee > be 


25 


= 


eA 


Fae 
f= 


eae 


-B- -6-° 


KEY TO PRACTICAL HARMONY. 


_* FAO 
Poot 
gee 


| 
a 


| 
Zag 


Os a7 ac 
7D 


a 
a 


= 


=e 
22 
F 


Sy 


CAumaEs 
(Ze 


ele hore S100 
Ths . | 
Ne \ !) 
Tcarean cat 
Lite 4) 
wih i 
Raades: 
[i ail 
Nie ; 
Qi QQ!) 1 
3 
WL Z -| 
sul 4 [hs 
Dl clige eee Oi). 
a al 
ai) =A TTT 
Dee 
THN “Wi 
| : | 
wee ee 


( Page 122.) 


Bs 
pee 
f 

2 

e 
aaa 


till el] 
ath ae i ik | 
ie {X\ 


at 


5 
2 


a 
@ 
@ 
[= 


—_ ) 


ze 

= 

cP 
—— 


f. 
= 
is 


S 
ee 
— 


eo 
a 
Yee 
| SE: 


aaa 


a 
2's 


S 


= 


-@ ox6 ee 


CSE set ores 
—s4 


| 
-e- 
r 


* 
a ae 


La 
“eo = 
7 


= 


oe 
e 
= 


J 
eo zy 
=r a 


7 


feniuat 


+l» 


| 
@ 


ft 
oje-° 
& 


l= 
awe | 
= | 


eae SF Be! 
——as a= 


N 
fe 


ae 


Ne-. 
oe 
= 

= 


1 
9 
= 


KEY TO PRACTICAL HARMONY. 


—y —4// I =| 
a; ad eel A" [ “| / 
Gr a es Wel e/a! 
2 fe qe il ( [2s 
Vs | Tyee —e| 
fee = a WS =a {| 
1) = Ys eae 
[fe | hy a {Qi 
ee vr? om ) 
= 7 =e Te “Ba ie 
Veit [wel UNoape ee = 
wi) 8 bile 
iris = 2 Spagetti el 
“il eet 
—e lel a ar Yeu TT e@__ —e @1 
‘Te al el iy | 
Wise TT 
Vitel all NT 
a —eelt TT. —e/ Sit 
= be nied ye 
etd |x AD 
a) x ae 
fs —y ie ‘ek } 
Tele a e 
78 ‘= wei TTe| @ LY jew 
1 | WAN AS eS 
ae is ere 
de GN| PRED loan 


(hd 
tee 
4—|;} ar \ 
| 
fe 
2 
iS 


SES eel 
ae L- —e le oul qi 
sae ea "> | Ny ane ees jt 
Lae Co TT8 —Te| | 
fee ity Telly | v_|| Heat 
miei = eel 
bal HE. TN lr. @! 
we] welt SE 
lea i, Ba 
it TR = 
ne —eell fs iy 
es ea | ES 
ihe ) —? if >} 
| os ees [ eel ahi shee 
taal PART) etl 8 lel 
walt SI!) cif iil 
Te e 
Bh) | m } | 
Wwe —e can 
8 | | Q | 
i a OL iT wer 
(| | Ge lex = eer 
Ty © o— -e vaua Witt 9) | el 
cS ieee & 
Ae | ie) ae mens 
NP (omy DP om 
———— ee il 


MTT | mee 
Ti] BSD | 

| | | 
= hy | 
er) | Can 
EI Stil 


| 


ead | 
ae 

a6: 

ot 


o 


fe 
= 
+ 


lesatl 
jeg" 01" 


be 


NG a) [QL 
“) a1 TT| 
a | 
Zui | | 8) a 
4 | —~— m | | | | 
ee wal 
7 NU e/QiL| 
at hes 
Jes] | ae 

| 
} 


( Page 123.) 


KEY TO PRACTICAL HARMONY. 


KEY TO PRACTICAL HARMONY. 


76 


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Xe 8 


Chats with Paik About Mae 


and Music Life 


Music Students By 


THOMAS TAPPER 


Price, Bounmd in Cloth, $1.50 


(pHs volume appeals to every student of music, however 

elementary or advanced. It is designed to bring to the 
attention of those who make music a life-work, the very 
many contingent topics that should be considered in con- 
nection with music. To this end the subjects selected for 
the chats have a practical value, cover considerable ground, 
and are treated from the point of view that best aids the 
student. The reader is taken into confidence, and finds in 
the chapters of this work many hints and benefits that 
pertain to his own daily life as a musician. 


The Music Life + 
and How to Price, $1.50 
Succeed In Tt 


“HIS work is a companion volume to the ‘‘Chats with 


Music Students.’’ Numerous phases of art and art life 
are talked about in a thoroughly practical way. It points out 
the way of success to teachers and students in art life. 
Mr. Tapper’s informal and thoroughly pertinent manner of 
writing has a real value in it that will make this companion 
volume indispensable to every musician. 

7 


BYnSo2 
JOHN COMFORT 7 
FILLMORE =} 


Price, $1.50 


A comprehensive outline of musical history from the 
beginning of the Christian era to the present 
time; especially designed for the use of 
schools and literary institutions. 


oe 


The work has been adopted as a standard in most 


of the important schools and conservatories 


oe 


Indispensable to every music pupil and to everybody else 


who wishes to be intelligent about music. 


36 


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APR17 1968 


21 Ahmet RR General Library 
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